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VIParadise

: : :  :: The many many happy few ::  : : :
Everyone wants to be a superstar ! Everybody wants to be treated as a Laoban (老板 / boss) who gets the right to drive a tinted-glass black car with a fancy horn and flashlights forcing the other drivers to "make place". Deng Xiaoping's motto "some people will get rich before others" has exacerbated individualist behaviors and widened the classes gap. Individualism is now reaching a completely new level of exclusivity : VIPism is on the rise.

In China, spaces are being chopped between the happy few and the very many others. Night clubs are 1/5th dance floor and 4/5th VIP spaces ; in residential compounds, a guard is posted at every possible door to ensure the sorting of the wanted and unwanted ; even post-offices have a special cubicle for VIP clients. The "building of a harmonious society", relentlessly advertised and yet never seen, is punctured by VIP hotlines, VIP cards, VIP services, VIP apartments, VIP luxury houses, etc… Any attempt to talk about public space or public services is seen as a defiance to the newly established order of exclusivity...

 

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面子Mianzi

: : :  :: More is just MORE ::  : : :
To gain or loose face is a matter of life and death, you don't mess around with Mianzi in China! The overwhelming importance of architectural outlook has propounded representation and insignia as the sole criteria of the built environment.

Architecture is summoned to take cover, and proudly wear rejuvenating masks, makeup, mascaras, jewelry and other accessories, that we once thought were gone forever. The lack or the inability of thinking about usages, programs, contents, has instigated a regime of superficialism where signs, ornaments, design slickness and heroic blobness have been elected as the sole measure of architectural quality. In the contemporary state of constant change, the supersized "decorated shed" seems to have become the most rapid and flexible achitectural approach. The envelop has become the ultimate ambition of a building.

The trend is not exclusively Chinese, nor is it new, but it presupposes that Chinese architects are relentlessly compelled to concentrate on the showing (off), on creating objects of desire, without any possibility of focusing on content, usages, people, ...

 

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